Production: the craft underneath.
The systems elsewhere on this site automate creative work. This page is the work itself: video shot and finished end to end, photography, and design from reports to event environments.
Video
Concept, shoot, edit, grade, and delivery, usually as a one‑person crew. The range runs from event sizzles cut against a deadline to kickoff videos for a few thousand people, and the sit‑down customer captures shot on the floor at conferences.
fig. — four pieces, four registers: the Dreamforce event sizzle, a sales‑kickoff video, a customer capture from Dreamforce 24, and the last capture I shot for Certinia, at London Live.
Photography
Portraits and event coverage, shot for use: headshots teams actually put on the website, and conference photography that captures the room working rather than posing.
fig. — portraits and conference coverage, from the gallery that lived on the previous version of this site.
Design
Design that has to survive contact with the real world: a research report read on screens, event environments printed two metres tall, and campaign graphics sized for wherever they land.
fig. — a survey report, an event lightbox printed two metres tall, and a co‑branded campaign graphic: document, environment, and campaign from one hand.
Where this sits
This craft is why the systems work. The automation at Dremio and the refresh at Certinia encode judgment learned by making these things by hand: what a slide needs to survive a projector, what an edit needs to hold a room, what a brand needs to stay itself across all of it.
Everything he does, he does to the very highest standard. He’s created for me endless video case studies, booth videos, animations, photographed all of my team and in person events, edited interviews and created event promotional reels.
Gemma BrownInternational Marketing Manager, Dremio